The Reasons of Art / L'Art a ses raisons
Artworks and the Transformations of Philosophy / Les oeuvres d'art: défis à la philosophie
The Reasons of Art
Artworks and the Transformations of Philosophy
L'Art a ses raisons
Les oeuvres d'art: défis à la philosophie
Edited by / Sous la direction de PETER J. McCORMICK
The series Philosophica 30 sponsored by the Department of Philosophy University of Ottawa is edited by Guy Lafrance
La collection Philosophica 30 publiée sous le patronage du departement de Philosophie de l'Université d'Ottawa est dirigée par Guy Lafrance
TABLE OF CONTENTS / TABLE DES MATIÈRES
PREFACE • RÉFACE XVII
ACKNOWLEDGEMENTS • REMERCIEMENTS XIX
INTRODUCTION
PETER J. McCORMICK / OTTAWA Artworks and the Transformations ofPhilosophy 3
I Art and Philosophy / L'art et la philosophie
ARTHUR C. DANTO / NEW YORK The Philosophical Disenfranchisement of art 11
TORE NORDENSTAM / BERGEN
Suffering Art (Comment on Danto) 23
STEFAN MORAWSKI / WARSAW
Is There an Incompatibility between Philosophy and Art? 26
MIKEL DUFRENNE / PARIS
« Sans titre » 40
KEN-ICHI SASAKI / TOKYO
Idée de la philosophie de l'oeuvre et la structure élastique de celle-ci 47
SUSUMU SHONO / KAMAKURA
Artworks, Aesthetic Processes, and Situations in music 51
TSUNEMICHI KAMBAYASHI / OSAKA
Über die Seinserfahrung in der Tuschmalerei
und die künstlerische Naturauffassung in Ost
und West 56
KEIJI ASANUMA / TOKYO
Œuvre et matière 62
MICHAEL LINGNER / HAMBURG
Die Problematik des philosophischen Zugangs zur zeitgenössischen bildenden
Kunst: Die Auflösung des klassischen Werkes als Anfang der Ästhetik in ihrem Ende 69
ROSA MARÍA RAVERA / ROSARIO, ARGENTINE
Les rébellions du signifiant et les transformations de la philosophie 77
ISAAC PASSY/ SOFIA
Philosophy and Art 82
MICHEL FÉDOTOVITCH OVSIANNIKOFF/ MOSCOU
L'esthétique, perçue comme conception philosophique 86
LUCIAN KRUKOWSKI/ST. LOUIS, U.S.A. Aufbau and Bauhaus: "Essentialism" in Philosophy and Art 90
RÉGINE PIETRA / PARIS
L'esthétique éeartelée : de l'écart à la trace 96
II Theories of Art / Les théories de Part
RUDOLF ARNHEIM / ANN ARBOR, U.SA.
In Favour of Confrontation 107
JOSÉ JIMÉNEZ / MADRID
Truth, Boundaries, and Interpretation in Aesthetics, I (Comment on Arnheim) 113
MILAN DAMNJANOVIĆ / BELGRADE
Les oeuvres d'art existent : comment sont-
elles possibles? 116
TORE NORDENSTAM / BERGEN
Ontologizing Art (Comment on Damnjanović) 123
FRANCIS SPARSHOTT / TORONTO
The Contestability of Artworks 126
TORE NORDENSTAM / BERGEN
Anchoring Art (Comment on Sparshott) 134
B.R. TILGHMAN / MANHATTAN, KANSAS, U.SA.
There Are Theories and Again Theories 138
JACK GL1CKMAN / BROCKPORT, U.SA.
On the Role of Theories of Art 143
CAROLYN KORSMEYER / BUEFALO
Art Defying Theory 147
DONALD BROOK / BEDFORD PARK, AUSTRAUA
Representing, Speculating, Knowing 153
KARL ASCHENBRENNER / BERKELEY
Expression: "Instant Coherence" 159
MARC JIMENEZ / PARIS
L'ésthetique négative 167
NKIRU NZEGWU / IFE, NIGERIA
Are Western Aesthetic Theories Relevant for the Understanding of African Art? 173
NORIKO HASHIMOTO / TOKYO
Eco-aesthetica 178
III
Turning Points in the History of Aesthetics / Moments-clés de l'histoire de l'esthétique
TOMONOBU IMAMICHI / TOKYO
The Meaning of Night in Aesthetic Experience 185
RAYMOND MONTPETIT / MONTREAL
Voir, ne pas entendre s'entendre parler: monologue devant la peinture (Remarques sur Imamichi) 192
JOSEPH MARGOLIS / PHILADELPHIA
How to Theorize about Texts at the Present Time: Deconstruction and its Victims 198
JOSE JIMENEZ / MADRID
Truth, Boundaries, and Interpretation in Aesthetics, II
(Comment on Margolis) 212
DABNEY TOWNSEND / ARLINGTON, U.S.A.
The Interaction of Art and Nature: Shifting Paradigms in Eighteenth-century Philosophy 215
ALLEN CARLSON / EDMONTON, CANADA
Interactions between Art and Nature: Environmental Art 222
DONALD W. CRAWFORD / MADISON, U.S.A.
Art into Nature: Decoration, Incursion, or Revelation? 232
HEINZ PAETZOLD / HAMBURG
Alexander Gottlieb Baumgarten als Begründer der Ästhetik in der Neuzeit 243
PEGUME SAKABE / TOKYO
Kant on Verstand, Vernunft, and Einbildungskraft 250
LAMBERT ZUIDERVAART /EDMONTON, CANADA
The Artefactuality of Autonomous Art: Kant and Adorno 256
MARTIN DONOUGHO / COLUMBIA, U.S.A. Hegel: A Turning-point in the History of Aesthetics 263
NORBERT KRENZLIN / BERLIN, D.D.R.
Der philosophische Neuansatz von Marx: Ein Wendepunkt in der Geschichte der Ästhetik 269
JOS DE MUL / NIJMEGEN
Image without Origin: On Nietzsche's Transcendental Metaphor 273
IV Art, Knowledge, and Evaluation / Art, connaissance et évaluation
GIANNI VATTIMO / TURIN
Aesthetics and the End of Epistemology 287
BOHDAN DZIEMIDOK / GDAŃSK
On Aesthetic and Artistic Evaluations of the Work of Art 295
JOSÉ JIMÉNEZ / MADRID
Truth, Boundaries, and Interpretation in Aesthetics, III
(Comment on Dziemidok) 307
GEORGE DICKIE / CHICAGO
Hume's Way: The Path Not Taken 309
SUSAN L. FEAGIN / KANSAS CITY
Experiences and Values of Art 315
ROBERT J. YANAL / DETROIT
Aesthetic Value and Genius 321
NOËL CARROLL /MIDDLETOWN, U.S.A.
Formalism and Critical Evaluation 327
BARBARA HERRNSTEIN SMITH / PHILADELPHIA
Truth/Value 336
YVONNE BERNARD / PARIS
L'oeuvre d'art, objet de connaissance 345
CAROLYN WILDE / LONDON
Paintings and the Perception of Truth in Images of Action 351
MARIA GOŁASZEWSKA / CRACOW
On Axiological Problems in Aesthetics 358
VITTORIO UGO / PALERME
Type, règle, caractère 363
RICHARD SHUSTERMAN / BEER SHEVA, ISRAEL
On Knowing the Value of a Work of Art 368
V The Real, the Fictional, and the Artworld / Realité, fiction, art
GÖRAN HERMERÉN / LUND
Interactions 377
NICHOLAS WOLTERSTORFF / GRAND RAPIDS, U.S.A.
Characters 394
KENDALL L. WALTON / ANN ARBOR, U.S.A.
Fictional Entities 403
PETER VAN INWAGEN / SYRACUSE, U.S.A.
Pretence and Paraphrase 414
JOHN HE1NTZ / CALGARY, CANADA
The Language of Fiction 423
MICHAEL GIBSON / PARIS
Art and the Ontological Question 429
MONIQUE R. LANGLOIS / MONTRÉAL
Quelques portraits frangais du XVIIIe siècle : defis toujours actuels à la philosophie 435
MARY BITTNER WISEMAN / NEW YORK
Notes on Photography and the Presence of the world 442
AKIKO KOANA / TOKYO
La théorie musicale dans l'épistémologie de Condillac 448
ALICJA KUCZYNSKA / WARSA W
The Silence of Icons: An Attempted Neo-Platonist Interpretation of the Phenomenon of
the Icon 452
PHILIPPE MINGUET / LIÈGE
Une rhétorique de l'architecture? 459
LAI-XIANG ZHOU / JINAN, PEOPLE'S REPUBLIC OF CHINA
A Comparison between Eastern and Western Classical Aesthetic Theories 465
KI-SOOPAIK/SEOUL
The Particularity of Aesthetic Taste: On Appreciating Eastern Black-ink Painting 471
WING-CHEUKCHAN/ T'AICHUNG, REPUBLIC OF CHINA
The Chinese Philosoph) of Art and Taoism: Art and Nature 475
APPENDIX/ANNEXE
Programme of the Xth International (Congress in Aestheties, Montreal. 14-19 August 1984/
Programme du Xe Congrès international d'esthétique, Montréal, 14-19 août 1984 481
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