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9th INTERNATIONAL CONGRESS OF AESTHETICS 1980

Proceedings of the 9th Intern. Congress of Aesthetics

9. MEDJUNARODNI KONGRES ZA ESTETIKU 1980.

Akti 9. Medjunarodnog kongresa za estetiku

Section papers, Plenary sessions papers

PHYSIS-TECHNE-POIESIS

ABSTRACTS

The Creativity and the Human World

Stvaralaštvo i Ijudski svet

Editor: Milan Damnjanovic

vol. I

sveska I

TABLE DES MATIERES

AFASIJEV, M.N.: LE PROBLÈME DES BESOINS ESTHETIQUES DE L'HOMME .... 7

ALVAREZ, Lluis X.: YOU WILL KNOW BY THEIR (ARTISTIC) WORKS............. 7

ANDREEV, A.: CREATIVITY AND CO-CREATIVITY IN ART................. 8

ARADI, Nora: SCHÖPFERTUM UND GESCHICHTLICHKEIT.................. 9

ARGYRAKI, Regina: CONSTRAINT OF FORM IN THE ART OF DANCING IN OUR TIMES............................................. 9

ARLANDI, Gian Franco: SEMIOTICA DELLA GRAFICAZIONE ED ESTETICA DELL'AXIOLOGRAFIA.................................... 10

ASCHENBRENNER, Karl: THE USE OF UNI VERSALS IN ART HISTORY............... 11

ASLANOV, A.M.: L'INFLUENCE MUTUELLE ET L'ENRICHISSEMENT MUTUEL DE LA CULTURE NATIONALE....................... 14

ATHANASSOPOULOS, Evanghelos: THE EXPRESSION AS MATEMPIRICAL FUNCTION............................................... 14

BARATTO, Sergio: TEORIA E VERIFICA SPERIMENTALE SUL RAPPORTO ARTE-EDUCAZIONE-CREATIVITA.......................... 15

BARGELIOTES, LeonidasC.: THE AESTHETIC FEELING IN WHITEHEAD'S PHILOSOPHY: ITS GROUND AND FUNCTION................... 15

BARGIEVA, Kitsa: THE NEED FOR ART IN THE MODERN WORLD.................. 16

BASKAKOV, V.E.: CREATIVITY AND WORLD OF MAN: HUMANISM OF ART AND RESPONSIBILITY OF ARTIST................................. 17

BAUDRY, Robert: L'ORIGINALITÉ DU CONTEUR DEVANT LES THÈMES PERMANENTS DU RÉCIT MERVEILLEUX....................... 17

BAVCAR, Evgen: UTOPIE ET CRÉATIVITÉ..................................... 18

BAZHENOVA, A.: THE HERITAGE OF AESTHETICS AND CONTEMPORANEITY....... 19

BERENSON, Frances Maria: ARTISTIC CREATION AND IMAGINATION.................. 20

BERSA, Gabriele: JEU ET RÉVOLUTION DANS L'ART MODERNE.................. 21

BIOCINA, Branko: QUELQUES OEUVRES DE KRLEŽA AYANT POUR THÈME L'ART À LA LUMIÈRE DE L'INTERPRETATION CRITIQUE DES IDEES DE LUKÁCZ, D'ALTHUSSER ET DE GOLDMAN............ 22

BOTCHKAREV, L.L.: LES RECHERCHES EXPÉRIMENTALES DES LOIS ESTHÉTICO-PSYCHOLOGIQUES DE LA CRÉATIVITÉ MUSICALE............... 23

BONET. Pierrette: CRÉATION ET ÉDUCATION D'APRÈS RAVAISSON................ 23

BORCHGREVINK, H.M.: WHY DOES MUSICAL HARMONY SOUND PLEASANT TO MAN.... 24

BORYEV, Y.: SYSTEM OF AESTHETIC LAWS................................ 24

BOULLART, Karel E.: CREATIVITY: PARADIGMACITY AND UNIVERSALITY............ 25

BREAZU, Marcel: LA NÉCESSITÉ DE L'ART DANS LA SOCIÉTÉ.................. 25

BRISKI, Sonja: INNOVATION AND TRADITION IN THE LIGHT OF RUSSIAN AVANT-GARDE - ART AND REVOLUTION.................... 26

BROOK, Donald: HOW CAN WE DO WHAT WE CANT (YET) DO?................. 26

BUYEVA, L.: SPIRITUAL ACTIVITY, CREATIVENESS AND MAN.............. 27

BUTINA, Milan: THE FINE ARTS CREATION AND MATERIAL PRODUCTION..... 27

BYCHKOV, V.: PROBLEMS OF ART IN EUROPEAN MEDIEVAL CULTURE...... 28

CABRERO Garrido, Felix: MAS SOBRE EL DOBLE SIGNO ARQUITECTONICO......... 29

CANTRICK, Robert B.: CREATION AND NECESSITY........................... 29

CHRISTODOULOU, Kyriaki: ART ET NATURE CHEZ MONTAIGNE.................. 30

CHRONIS, Nikolaos: THE SYNTHESIS OF FORM AND CONTENT AS A MAIN FACTOR IN THE FUNCTION OF THE WORK OF ART........... 30

CLOUTIER, Cécile: DE POESIAE CREATIONE................................. 31

COHEN, Ted: JOKES AND THE CREATION OF INTIMACY............... 32

CONROY, Graham P.: ARTISTIC CREATION AND AESTHETIC EXPLANATION: A PROLOGUE............................................ 33

CRAWFORD, Donald W.: AESTHETIC CREATIVITY AND APPRECIATION OF NATURE............................................... 33

CREPALDI, Gabriele: PER UNA DEFINIZIONE DELL'ARTE....................... 34

CZERNIEWSKA, Krystina: ESTHÉTIQUE DE LA VIE QUOTIDIENNE COMME LA CRÉATIVITÉ ACCESSIBLE POUR TOUS..................... 35

DAVID, Hélène: CRÉATION ET TECHNOLOGIE: UNE ASSOCIATION, SONS SENE, SA RAISON D'ÊTRE................................ 35

DETHIER, H.: CULTURAL AND ANTI-CULTURAL MARGINALITY.......... 36

DOUBOV, G.V.: LA CRÉATION ARTISTIQUE ET LE PROGRÈS SOCIAL........ 38

DJAKOVIC, Vlastimir: LA NAISSANCE, LA CRÉATION ET L'OUVERTUJRE DE LA LANGUE EN TANT QUE LA NAISSANCE, LA CRÉATION ET L'OUVERTURE DU MONDE D'HOMME..................... 39

ELIENS, Anton: CREATIVITY, REFLECTION AND INVOLVEMENT............... 39

EMANUELLE, Pietro: SUGLI AMBITI DI APPLICAZIONE DELLA MICROESTETICA SEMIOTICA............. 40

EREMEEV, A.F.: LA CRÉATIVITÉ ARTISTIQUE COMME CONAISSANCE.......... 40

ERJAVEC, Aleš: CREATIVITY AND DOGMA.................................. 41

FAKHIR, Hussain: UNIVERSALITY IN ART APPRECIATION....................... 42

FISHER, John: PLEASURE AND CREATIVITY................................ 42

FELS, C. - KURILOFF, L.- GÖKNIL,M.: THE ANATOLIAN SELJUK STYLE STYLE AS AN EXAMPLE OF THE INTEGRATION OF MULTI-CULTURAL INFLUENCES.............................................. 43

FOCHT, Ivan: INGARDENS LEHRE ÜBER DIE HETERONOMIE DES MUSIKWERKES............................................ 43

FIGURELLI, Roberto: A BRAZILIAN EXPERIMENT IN THE FIELD OF ARTISTIC

CULTURE................................................. 44

FREDERICK, R.S. - SNOW, M. H.: THE NEED FOR ART............................ 45

FUKASZ György: MAIN FEATURES OF AESTHETICS OF WORK................... 46

GAERTNER, Johannes A.: HOW DEAD IS A DEAD ART?............................ 47

GALEFFI, Romano: L'ATTIVITÀ CRÉATIVA E IL MONDO DELL'UOMO.............. 48

GARRIGA, Miro, Ramon: MODO DE PRODUCCION Y CREATIVIDAD.................... 49

GENOVESE, Carmelo: ARTE, ESTETICA E RICERCA ACIENTIFICA.................... 49

GEORGIEVSKI, Ljubiša: ARTISTIC CREATIVENESS - CONSTRUCTION OF THE WORLD-DREAM........................................... 50

GHIRCOIASIU, Romeo: POUR UNE ÉPISTÉMOLOGIE DE LA MUSIQUE................ 51

GHISE, Dumitru: NOESIS ET POESIS.......................................... 51

GIACOBINO. Andrea: In LIMINE................................................. 53

GIBSON, Michael: THE CONCEPT OF CREATIVITY.............................. 53

GINSBERG, Robert: THE DESTRUCTIVITY OF ARTISTIC CREATION................. 54

GLICKMAN, Jack: ACCIDENTAL OBJETS AND ART.............................. 54

ATH. GLYCOFRYDOU-LEONTSINI: THOMAN REIDON THE INCOMPATIBILITY OF ARTISTIC GENIUS AND PHILOSOPHICAL TALENT.............. 55

GOLD Gluck, Phyllis: ART AS AN INSTRUMENT FOR LIFE-CHANGE AN INFULFIELLED OBLIGATION OF AESTHETIC EDUCATION....... 55

GOASZEWSKA, Maria: CRÉATIVITÉ ET NATURE................................ 56

GONCHARENKO, N.: THE ROLE OF THE NEW IN ARTISTIC CREATION................ 57

GORANOV, Krastiu: L'ENFANT ET L'ART........................................ 58

GORDIENKO, A.: THE CONCEPT ION OF MAN AS AN OUTLOOK BASIS OF ART CREATIVITY.......................................... 59

GOTTNER-Abendroth, Heide: CREATIVITY OF WOMEN. A CRITICAL VIEW ON CULTURE......................................... 59

GOUDRON, Anne Marie: CRÉTIVITÉ ET CODES.................................... 61

GRAU Enguix Joaquin: MAS SOBRE EL DOBLE SIGNO AROUITECTONICO.............. 62

GRININ, V.: SOCIAL AND GNOSIOLOGICAL ASPECTS OF ARTISTIC INNOVATION............................ 63

GROMOW, Y.S.: AESTHETICS AND CREATION. THE ANALYTIC ASPECTS......... 63

GUCCIONE, Salvatore: SCIENZA ED ARTE: VAGHEZZA E AMBIGUITÀ................ 64

GUTIERREZ Guitian, Victoria: COMO ENSENAR Y HACER ARQUITECTURA........... 64

GUTIERREZ Guitian, Victoria: EL PENSAMIENTO INTUITIVO FEMENINO............... 65

GUTIERREZ Guitian, Victoria: EL EVOLUCIONISMO REGRESIVO DE LA "CREATIVIDAD" FREUDIANA............................... 65

GUTIERREZ Guitian, Victoria: PEQAGOGIA DE LA CREATIVIDAD.................... 66

HAJEK, Jiri: DISKUSSIONBEITRAG FÜR DIE SEKTION "TRADITIONEN UND

INNOVATIONEN".......................................... 67

HANAK, Miroslav John: THE ART OF POETIC TRANSLATION METHODS PURPOSES, FRUSTRATIONS............................................ 67

HANLON, Lindley: S/Z AND CITIZEN KANO..................................... 68

HERMANN, Istvan: EIN ASPEKT DER KREATIVITÄT IM KLASISCHEN DEUTSCHEN IDEALISMUS.................................... 69

HERMANN, Margit: GARTENKUNST UND KREATIVITÄT........................... 69

HETZLER, Florence M.: THE AESTHETICS OF RUINS: A NEW CATEGORY OF BEING...... 70

HILLGARTNER, Rudiger: BEMERKUNGEN ZUM ZUSAMMENHANG VON KULTUR, SCHÖPFERTUM UND ÄSTHETIK............................... 71

HOAGLUND, John: ON ARTISTIC CREATIVITY................................... 72

IANOSI, Ion: KUNST - SCHÖPFUNG - ARBEIT.............................. 72

ILIC Miloš: CREATION AS COMMUNICATION WITH ONE'S OWN SELF......... 73

IZVOLINA, S.: COLLECTIVE AND INDIVIDUAL CREATIVENESS................ 74

JAMIESEN, Dale: CREATIVITY: A SKETCH OF AN ANALYSIS.................... 74

JONES, Peter: MAN, CREATIVITY, AND THE CASE OF DAVID HUME............ 75

JUZL, Miloš: VOLLKOMMENHEIT ALS ERGEBNIS SCHÖPFERISCHER KÜNSTLERISCHER BEMÜHUNGEN........................... 76

KABELE, Jiri: ARTISTIC CREATION AND PROBLEMS OF COMPUTER AIDED INDUSTRIAL DESIGN....................................... 76

KALMAN, György: COTEXT THE MAIN FACTOR OF THE RECEIVER'S CREATIVITY............................. 77

KARCEVA, E.N.: LA QUALITÉ DE MASSE DE L'ART SOVÏETIQUE............ 77

KAZIHANOVA, B.R. ZA CRÉATIVLTÉ ET L'HISTORICITÉ DIVÉRSITÉ DE LA CULTURE.... 78

KEN ICI, Sasaki: AU-DELÀ DE L'ANALOGIA CREATIONIS................ 79

KEYSER, E. De: RUPTURE ET TRADITION.............................. 79

KISUNKO, V.: HISTORISM OF ART CULTURE AS A SOCIO-CREATIVE PHENOMENON....................................... 80

KIVY, Peter: THE MYTH OF ARTISTIC SINGULARITY................. 81

KIYASHENKO, M.: DIALECTICS OF THE OBJECTIVE AND THE SUBJECTIVE IN THE CREATIVE PROCESS............................ 81

KLINGER, Mary Frances:”A DELIGHTFUL PLAY UPON THE EYE": WILLIAM

HOGARTH AND THEATRICAL DANCE................... 82

KNJAZEVSKAYA, T.B.: LA REVOLUTION SCIENTIFICO-TECHNIQUE ET LE THEÂTRE............................................ 82

KONIKOV, I.: CORRELATION OF ART AND SCIENCE................. 83

KONON, V.M.: LE FOLKLORE DANS LA SYSTEME DE LA CULTURE ARTISTIQUE: PROBLÈMES ET PÉRSPÉCTIVES.............................. 84

KORMIN, N.: NATURE - SOCIETY - AESTHETICAL CREATIVENESS ..... 85

KORUGA, Djuro: CREATIVITY AS AN EXPERIENCE OF THE BEAUTIFUL AND SUBLIME........................................ 85

KRUKOWSKI. Lucian: CAN AN ART-WORK CEASE BEING ART?............... 86

KUCZYNSKA, Alicja: CREATION AS A FORMULA AGAINST MEDIOCRITY........ 87

KUKLINKOVA, Theodore: ZUR FRAGE DER SPEZIFITÄT DES ÄSTHETISCHEN SCHÖPFERTUMS...................................... 87

KULIKOV, Y.: NON- PROFESSIONAL ARTS ACTIVITY AND THE FREE DEVELOPMENT OF THE INDIVIDUAL.................... 88

KULIKOVA, I.: CREATIVENESS, ART AND MAN......................... 89

KVASOV, G.: SOCIAL CREATIVITY AND ENHANCEMENT OF THE PERSONALITY UNDER SOCIALISM...................... 90

KVASSOVA, I.I.: SUR LE SUJET DE LA CREATION ARTISTIQUE............ 90

LADYGINA, A.: THE PHENOMENON OF ARTISTIC CREATIVENESS: THE DIALECTICS OF INDEPENDENCY AND DEPENDENCY...... 91

LAMBROPOULOU, Stavroula: REPRESENTATION OF HARMONY IN GREEK

VASE PAINTING..................................... 92

LAPINA, E.: PROBLEMS OF TRADITION AND INNOVATION AND "PRIMITIVE ART".................................... 92

LAVRENUK, N.S.: LE HÉROIQUE........................................ 93

LEIZEROV,N.: LAWS GOVERNING ARTISTIC CREATIVENESS............ 94

LENKE, Bizam: ON THE CONTENT OF THE NOTION OF "CREATIVITY" .... 94

LÉVTCHUK, LT.: LA PÉSONALITÉ DE L'ARTISTE ET LA SPÉCIFICITÉ DU PROCÉS CRÉATIVÉ.............................. 95

LINGNER, Michael - Walther, Rainer: ZUM PARADOXEN VERHÄLTNIS SCHÖPFERISCHER SELBSTBESTIMMUNG UND

GESELLSCHAFTLICHER FREMDEBESTIMMUNG IN DER TÄTIGKEIT DES KÜNSTLERS .... 95

LOI, Michelle: CONNAISSANCE ET CRÉATION. UN COUPLE DIALECTIQUE DE LA PENSÉE CHINOISE................................. 96

LUBIMOVA, T.B.: LA CRÉATION ET LES MODES DES CULTURES............... 97

LUKIN, J.A.: LA CULTURE ARTISTIQUE COMME L'OBJET DES RECHERCHES COMPLÉXES................................. 98

LUTHE, Rudolf: DIE FASZINATION DER DUNKELHEIT. - EINE THESE ZUR GEISTESGESCHICHTLICHEN BEDEUTUNG HERMETISCHER LYRIK..................... 99

LUKYANOV, B.: ARTISTIC ACTIVITY AND AESTHETIC EVALUATION.......... 99

MAGNKOWSKAYA, N.B.: L'ART CRÉATEUR ET LA NATURE...................... 100

MAHMUDOV, T.: PROBLEMS OF REALISM IN THE 20TH CENTURY............. 101

MAKAROV, O.A.: CREATIVITY AND HISTORISM: DIALECTICS OF DEVELOPMENT OF NATIONAL ART CULTURES............................. 102

MAKAROVIC , Jan: WORK AND CREATIVITY: RUPTURE AND UNITY OF NATURE AND MAN............................................... 102

MAKOTA, Janina: THE ARTISTIC CREATION................................. 103

MARCIALIS, Maria Teresa: CREATIVITÀ E INVENZIONE NELLA "TEORIA" ESTETICA............................................... 104

MARGOLIS, Joseph: THE INTERSECTION OF THE CULTURAL AND THE BIOLOGICAL............................................ 105

MARTIN, F.David: THE NEED FOR ART...................................... 105

MATEI, Dumitru: TRADITION AS A SYSTEM OF VALUES..................... 106

MATHAUSEZ Zdenek: ZWEI ARTEN DER KREATIVITÄT .......................... 106

MATVEJEVIC, Predrag: L'AUTOGESTION ET LA CREATION CULTURELLE........... 107

McCORMICK, Peter: AESTHETIC TRUTHS AND CREATIVITY..................... 108

McGLINCHEE, Ciaire: THE NEED FOR TRADITION IN TODAY'S ART WORLD......... 109

MESLAND, G.M.: PHYSIOLOGISCHEN SPRACHGEBRAUCH IN DER ROMANTIK .... 109

MILIJIC , Branislava: LA COMMUNICATION ET INTERPRÉTATION COMME L'OBJET DE L'ESTHÉTIQUE SÉMIOTIQUE................. 110

MITESCU, Adriana: SOMETHING ABOUT THE PRELINGUISTIC CREATION...... 111

MITIAS, Michael H.: THE LOCUS OF ARTISTIC CREATION..................... 112

MOOIJ, J.J.A.: AESTHETIC PERCEPTION AND AESTHETIC CONCEPTS...... 113

MORSTEIN, Petra von: EXPERIENCE AND REPRESENTATION.................... 113

NEACSU, loan: CRÉATION ET CRÉTIVITÉ............................ 114

NICOLAEVA, Nina: LES REMARQUES MÉTHODOLOGIQUES CONCERNANT L'APPAREIL CATÉGORIAL DE L'ESTHÈTIQUE.............. 114

NITU, George: ASPECTS OF THE DIALECTICS OF THE BEAUTIFUL IN ROMANIAN LITERATURE............................... 115

NOVIKOVA, L.I.: AESTHETIC ACTIVITY, COMPONENT OF SOCIAL PRACTICE............................................ 116

NUIKIN, A.: ON THE ESSENCE OF ARTISTIC CREATIVENESS........... 117

OGANOV, A.: ROLE OF SELF- CONSCIOUSNESS IN ARTISTIC CREATIVENESS........................................ 117

OPRESCU, Dan: ALIENATION AND ARTISTIC CREATIVENESS............... 191

D'ORS PÉREZ-Peix,Victor: PONENCIA IA ET PONENCIA IIA....................... 118

OVSYANNIKOV,M.: WORLD OUTLOOK AND CREATIVITY..................... 118

PANKEVITCH, G.: MUSIC AND INTELLECT................................. 119

PARISSAKI-GIANNARAKI, Théopi: DAVID HUME: AN INTERPRETATION OF THE ARTS... 120

PANTALEONI, Celestino: PRATICA SEMIOTICA DEL TESTO ESTETICO ............. 120

PARSADANOV, N.: TRADITIONS IN ART.................................... 121

PASSY, ISSAK: THOMAN MANN ABOUT THE EPIC WRITER'S CREATIVE WORK ..... 121

PASTRAGUS,M. - Gheorghiu,D.: LA POSITION DE L'ART DANS LA CREATION TECHNIQUE............................................ 122

PAZURA, Stanislaw: DER BEGRIFFE DES GENIES UND DREI BEGRIFFE DES GESCHMACKS IN DER ÄSTHETIK DES 18. JAHRHUNDERTS ... 135

PAWLOWSKI, Tadeusz: CHANGE AND CREATIVITY............................. 123

PAYANT, Rene: LE COMMENTAIRE D'ART COMME CRÉATION.............. 123

PEDICEK, FRANC: PROMOTION DE LA CRÉATIVITÉ - PROCESSUS PEDAGOGIQUE DE DéVELOPPEMENT DE PPERSONALITÉ CRÉATRICE INTÉGRALE...... 124

PEKOVIC , Slobodanka: ATTITUDE TOWARD THE TRADITION AND INNOVATION IN SERBIAN PROSE WRITINGS AT THE BEGINNING OF THE 20th CENTURY ............................. 125

PELEGRINIS, Th.N.: WHAT MAKES A WORK OF ART EXPRESSIVE?............. 126

PENTZOPOULOU-Valalas, Therese: CRÉATION ET CRÉATIVITÉ..................... 126

PETRISOR, Marcel: L'ACTS CRÉATEUR OU LE PHÉNOMÈNE DE LA CRÉATIVITÉ... 127

PETROV, V.: INTEGRATIONAL REQUIREMENTS AND THEIR REALISATION BY ARTISTIC MEANS................. 128

PETKOVSKI, Boris: TRADITION AND THE CONTEMPORANT ART............ 129

PINNA, Ottavio: CONSIDERAZIONI SULLA NATURALITÀ DI UNA PRASSI PITTORICA DI TIPO “SEGNICO GESTUALE"............... 130

PLEBE, Armando: IDEE PER UN'ESTETICA MATERIALISTICA................ 130

POLEVOI, V.M.: DIVERSITY OF CULTURES.............................. 131

PONIŽ , Denis: THE PROBLEMS OF CODES IN NUMERICAL AESTHETICS - THE EXPERIENCES OF SLOVENE LITERARU CRITICISM..... 131

POPPER, Frank: CRÉATIONS COLLECTIVES DANS L'ART CONTEMPORAIN ... 132

POSZLER, Gyorgy: VON DER ZEITMÄSSIGEN ÄSTHETISCHEN KULTUR BIS ZUR ZEITMÄSSIGEN ÄÄSTHETISCHEN ERZIEHUNG............. 133

PRESTIPINO, Giuseppe: LA STORICITÀ DELL'ARTE NELL'ESTETICA FILOSOFICA ... 134

PROVOZIN, V.V.: L'ACTIVITÉ ARTISTQUE SPONTANE ET LE DÉVELOPPEMENT DE LA PERSONNE...................... 136

PUTNIK, Jovan: LE TRANSFERT ESTHETIQUE.......................... 136

RADMAN. Zdravko: PERCEPTUAL MATRICES AND PERCEPTUAL CREATION .... 137

RADULASKI, Ljubica: DIE FUNKTION VON SPIEL UND KUNST IN PÄDAGOGISCHEN AUFFASSUNGEN VON VICENTIJE RAKIC................. 138

RAVERA, Rosa Maria: LA CREACION DE IMAGINES Y EL PROYECTO SEMIOTICO: HACIA UNA APERTURA PLURIDISCIPLINARIA............ 139

RICHMOND, Sheldon: ON THE ROLE OF ART IN A SCIENTIFIC CULTURE: SOME REMARKS ON THE "TWO-CULTURES" PROBLEM.......... 139

ROBLIN, Ronald: A MODIFIED VIEW OF EXPRESSION IN ART............... 140

ROSNER, Katarzyna: CONTEMPORARY AESTHETICS AND THE PROBLEM OF CCREATIVITY......................................... 141

ROTHENBERG, Albert: UN-CONSCIOUS AND THE UNCONSCIOUS IN CREATIVITY ... 142

RUDOLF, Branko: ÜBER DAS ENTSTEHEN ÄSTHETISCH RELEVANTER FORMEN.............................................. 142

SLAPŠAK, Svetlana: PARAHEDONISM AS A LITERARY INTERPRETATION OF ANTIQUITY........................................... 143

RUS, Vojan: TRAVAIL ET ART - LIEN DE STRUCTURE................. 144

SAGI, Maria: CREATIVITY IN AESTHETICS AND IN PSYCHOLOGY......... 144

SALEEV, V.A.: LA CRÉATIVITÉ ARTISTIQUE ET LA CRITIQUE ARTISTIQUE .... 145

SALMAN. Phillips: DIDACTICISM RECONSIDERED.......................... 146

SAMOHIN, V. LE PROGRÈS SCIENTIFCO-TECHNIQUE ET LE PROBLÈME DE LA CONAISSANCE DE LA CRÉATIVITÉ ARTISTIQUE....146

SANTORO, Liberato: L'ESTETICA COME FILOSOFIA DELLA CREATIVITÀ....... 147

SAVOSTYANOV. E.: THE THEORY OF REFLECTION AND ARTISTIC CREATIVENESS....................................... 148

SCARAMUZZA, Gabriele: NECESSITÀ DELL'ARTE NEL MONDO ODIERNO......... 149

SEMAŠKO, A.N.: LA VOCATION ET LA RECONAISSANCE DE L'ARTISTE...... 149

SHEETS-Johnstone. M.: DANCE IMPROVISATION AS A PARADIGM............... 150

SHIR, Jay: ASPECTS OF WILDERNESS LITERATURE.................. 151

SHUDRIA, E.P.: CREATIVE POTENTIAL OF ART.......................... 151

SIBLEY, F.N.: SOME NOTES ON ORIGINALITY.......................... 152

SLAWOV, Iwan: SCHÖPFUNG UND SEKUNDÄRE SPONTANEITÄT............ 152

SLETTEHAUGH, Thomas C: HEMISPHERICITY - CROSS - CULTURAL STUDIES IN CREATIVE THINKING.................................. 153

SMEU, Grigore: LES VERTUS DE LA RAISON DANS L'ART CONTEMPORAIN ............... 154

SMIRNOVA.Z.: ARTISTIC PERCEPTION AS A CREATIVE PROCESS......... 155

SNOYENBOS, Milton: CREATING AND UNDERSTANDING TECHNOLOGICAL ART ... 155

STEFANESCU, Radu Florin: POSSIBILITÉS ET NECESSITÉS DANS LES ARTS PLASTIQUES CONTEMPORAINES. LEURS RARPORTS, CAUSES ET CONSÉQUENCES ............ 156

SPINELLI, Enrico: SPECIFICATIONS AND SURVEY POSSIBILITIES OF

AESTHETICS.......................................... 156

STANKIEWICZ, Zygmunt: PHYSIS-TECHNE-POIESIS: THE CREATIVITY AND THE HUMAN WORLD....................................... 157

STARDELOV, Georgi: ARTISTIC CREATION AND SELF-MANAGEMENT........... 157

STEFANOV, Ivan: SUR L'ACTION R`´ECIPROQUE PROCESSIVE ENTRE L'ART ET LES MASS MEDIA.................................. 159

STEINKRAUS, Warren E.: TYPES OF ARTISTIC INNOVATION..................... 160

STERN, Laurent: CREATIVITY IN INTERPRETING......................... 160

STOLINITZ, Jerome: ARTISTIC CREATION IN THE NEW AESTHETICS.......... 161

STOLOVIC, L.N.: SUR LA NOTION: "TYPE DE LA CREATIVITÉ ARTISTIQUE » ... 162

SUS, Oleg: KREATIVITÄT UND NON-KREATIVITÄT.................. 162

SZERDAHELYI, István: KREATIVITÄT IN DER BÜHNENKUNST................... 163

SWEENEY, Kevin: INNOVATION, TRADITION, AND AESTHETIC RESPONSE..... 164

ŠABOUK. Sáva: DIE INTERFERENZIONES-MIMETISCHEN KUNSTMODELLE.. 165

ŠAJKOVIC, Miriam T.: THEATREHOUSE........................................ 166

CHOUDRJA, E.P.: LA POTENTIALITÉ CREATIVÉ DE L'ART................... 169

ŠUTIC, Miloslav: THE LYRICAL AS AN AESTHETIC CATEGORY (THE LURICAL AND EMOTIONS)....................................... 169

TAMBA, Akira: POIÉQUE MUSICAL COLLECTIVE....................... 170

TARNOI Laszlo: ART AND HUMANISM................................... 174

TARTALJA, Ivo: COMMENT NOMMONS-NOUS CE QUE FAIT UN ARTISTE? ... 174

TASALOV, V.: THE DIALECTICS OF THE "NATURAL" AND "ARTIFICIAL IN ART.............................................. 175

TEMKOV, Kiril: ETHICS AND ART.......................... 176

TILGHMAN, B.R.: POETIC CREATIVITY AND THE SECONDARY SENSE OF A WORD...... 176

TOBOSARY, J.: REZEPTION ET CRÉATIVITÉS DANS L'ART DU THÉÂTRE ROUMAIN CONTEMPORAIN................................ 176

TODOROVC, Aleksandar : POSSIBILITÉS DE FONDER L'ESTHÉTIQUE DE LA MODE...... 178

TSHOUCHLOS; Brasidas: ORIGINALITÉ ET TRADITION.............................. 179

UJFALUSSY, József: INTERPRETATION UND SCHÖPFERTUM – ÜBERLIEFERUNG UND ERNEUERUNG IN DER MUSIK......................... 179

UZELAC, Milan: DIE TATSÄCHLICHE DICHTUNG........................... 180

VANSLOV, V.: TRADITION AND INNOVATION........................... 181

VEINSTEIN, André: ESTHÉTIQUE ET CRÉATION............................... 181

VOLKOVA, E.: INTERPRETATION OF ART IN THE SCIENTIFIC – TECHNICAL REVOLUTION........................................... 183

WILLIAMS, Forrest: MARXIST THEORY AND NORMATIVE CRITICISM............ 186

WISEMAN, Mary Binnen: ROLAND BARTHES AND THE HUMAN SUBJECT............. 186

WOJNAR, Irena: CRéATION - CRÉTIVITÉ - EDUCATION.................. 187

WOLF, Barbara H.: ARTISTIC CREATION AND TECHNOLOGY................... 188

WOLF, Jack C: GESTALT RESONANCES AS A BASIS FOR VISUAL AESTHETIC RESPONSE............................................. 188

YAMAGUCHI, Joanne: EPISTEMOLOGY OF CINEMATIC PERCEPTION.............. 189

YASTREBOVA, N.: HEURISTIC MECHANISMS OF THE INDIVIDUAL AND COLLECTIVE ARTISTIC CONSCIOUSNESS.................. 189

YERMASH, G.: ARTISTIC CREATION AND THE DIALECTICS OF LIFE ........ 190

YERMOLAEVA.V.: WHAT HINDERS NON-MARXISTS UNDERSTANDING MARXIST AESTHETICS........ 190

ZIS, A.: RELATIONSHIP OF THE STRUCTURES OF PHILOSOPHICAL AND ARTISTIC THINKING..................... 184

ZOLTAI, Denes: STELLENWERT DER KREATIVITÄT IN DER FRÜHROMANTISCHEN MUSIKÄSTHETIK ........................................ 184

ZUROVAC, Mirko: L'ART COMME UN BESCIN ETERNEL........................... 185



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